Although primarily a studio session and touring drummer, Hoh exhibited a degree of originality and showmanship that set him apart and several of his contributions have been singled out for acknowledgment by music critics.

[1] After Hoh relocated to Los Angeles in 1964, he became known on the club circuit and drummed for the Joel Scott Hill groups the Strangers and the Invaders.

[3] Jerry Yester, Cyrus Faryar, Henry "Tad" Diltz, and Chip Douglas made up the quartet and each became involved in various aspects of the music industry and Hoh's career.

[7] The song "Night Time Girl", written by Al Kooper and Irwin Levine, reached number 122 on Billboard magazine's Bubbling Under Hot 100 Singles on April 16, 1966.

The MFQ were a fixture on the Los Angeles club scene and opened for such groups as the Paul Butterfield Blues Band, Donovan, the Byrds, Mamas and the Papas, and the Velvet Underground.

With Hoh, guitarist Clarence White, and bassist John York (who both joined the Byrds in 1968), the group appeared at several engagements, including at the Whisky a Go Go and the Golden Bear.

[19] Without a touring band, a Los Angeles folk-rock group, the Rose Garden (without Hoh), sometimes performed as the "Giant Sunflower" and later recorded "February Sunshine" and two unrecorded Gene Clark compositions for their debut album.

[20] Hoh became a part of the Mamas and the Papas touring group and on June 18, 1967, they appeared as the final act at the Monterey Pop Festival (singer John Philips was one of the event's organizers).

Hoh played drums on the majority of tracks from their fourth album, 1967's Pisces, Aquarius, Capricorn & Jones Ltd., produced by ex-MFQ member Chip Douglas.

[29] Among his contributions are "Pleasant Valley Sunday", both "Daydream Believer" and its jazz-influenced single B-side "Goin' Down", the second studio version of "Words", "Star Collector", which ends with extended improvised drumming, and "Zor and Zam".

Hoh and bassist Harvey Brooks are the rhythm section for the whole album (Barry Goldberg contributes electric piano to one song).

All of the Super Session participants had performed at the 1967 Monterey Pop Festival – Hoh with the Mamas and the Papas, Kooper as a solo act, Stills with Buffalo Springfield, and Bloomfield, Brooks, and Goldberg with the Electric Flag.

It became a staple of late-sixties "underground" FM radio and a review of the song noted Hoh's "flawless drumming which laid down as solid a groove as Stills and Kooper could have ever hoped for".

[36] Hoh also contributed drums to the mostly instrumental fusion 1968 album by Mandel, Cristo Redentor, featuring another staple of late-sixties FM radio, "Wade in the Water".

Critic Eugene Chadbourne commented in a review of Barry Goldberg & Friends: Drummer "Fast" Eddie Hoh completely steals the long jam ["I Got to Love My Woman" a.k.a.

"I Got a Woman"] with a solo that hints at the mystery of why there are so many people in the music business with the nickname "Fast Eddie", sounding like at least three of them are on-stage playing the drums.

[43]In April, he performed with Mandel at a Mercury Records-sponsored festival called the Flying Bear Medicine Show, portions of which were released on an album by the same name.

Also performing at the festival was Tongue and Groove, described as "something of an offshoot of the legendary, but little recorded, early San Francisco hippie group the Charlatans".

Hoh joined Judy Henske and Jerry Yester for the songs "Horses on a Stick" and "Charity", which were included on Farewell Aldebaran, the duo's 1969 folk/psychedelic album.

[i] Goldberg and Hoh participated in a demo session with ex-Sweetheart of the Rodeo-Byrds Gram Parsons, who was looking to form a new country rock group.

Jon Corneal, who was brought in to drum on several of the album's songs, recalled "As I understand it they gave Eddie Hoh an equal share of the cash advance [from the record company] and then he split.

[46] Some time after a last album with Harvey Mandel (Games Guitars Play, released in 1970), Eddie Hoh apparently stopped recording and performing.