Recorded at producer Jacob Hansen's studio in Ribe, Denmark, it was released on 31 August 2009 by Backstage Alliance.

Jnr., which features the four bonus tracks from the Japanese edition of ¡Chutzpah!, alongside the single "The Snake, the Lion, the Monkey and the Spider" and three previously unreleased songs.

[5] In February 2009, the band recorded demo versions of several new songs at Seawolf Studios in Helsinki, Finland with their manager and engineer Virpi Immonen.

[6] The recordings from these sessions were later remastered by Dave Draper and released under the title The Virpi Demos as part of the 10th anniversary reissue of ¡Chutzpah!.

[1] In an interview with the website Room Thirteen, Ginger revealed that this was a conscious choice: "It was a band decision to try to take the group to another level.

[16] The next month, the collection – consisting of the Japanese bonus tracks, "The Snake, the Lion, the Monkey and the Spider" and three previously unreleased songs – was released on the band's official online store.

remastered by Dave Draper, featuring all 18 tracks of each release, alongside bonus discs containing the Seawolf demos and rehearsal recordings.

for featuring "some of the band's best material in years", a description for which he highlighted songs such as "The Jackson Whites" and "You Are Proof That Not All Women Are Insane".

[2] However, he did suggest that "Not everything here is as fulfilling", describing "The Only One" as "too nice for a band who once sang, 'Baby can't you see I'm shitting brown water?

as "an increasingly confident return to the band's metallic-sized power pop roots", highlighting "The Only One", "You Are Proof That Not All Women Are Insane", "You Took the Sunshine from New York" and "Mazel Tov Cocktail" (which he described as "a potential all-time classic") in particular.

[1] Brian Raftery of Spin magazine praised the album for its "stylistic overhauls" from the band's previous works.

at number 34 on its list of the 50 best albums of 2009, with writer Sam Law claiming that "you could always expect the unexpected from the irrepressible Geordie rockers [...] From slamming opener 'The Jackson Whites' to the cheekily effervescent pop-rock of 'You Are Proof That Not All Women Are Insane', of course, this was still giddily amusing stuff.