The work šēp lemutti ina bīt amēli parāsu (inscribed GÌR ḪUL-tim AŠ É LÚ TAR-si[1]), “to block the entry of the enemy (‘foot of evil’) into someone’s house,” also referred to as ana nasāḫ šēp lemutti, "to expel the 'foot of evil'," is a first millennium BC Mesopotamian ritual text idiom well attested in the apodoses of divinations which provides the procedures to protect a house with magical defenses from demonic attack.
These involve the use of apotropaic figurines, whose god, apkallu, and monster alter-egos, are invoked by an incantation, and their interment in various parts of a private house.
Archaeological excavation has uncovered many instances of small figurines buried in boxes in the foundations of structures such as palaces and domestic houses of the Neo-Assyrian and Neo-Babylonian periods.
It then prescribes the fashioning of the various wooden models of the seven apkallus, from seven Babylonian cities, with the faces and wings of birds, or their cloaks from the skin of a fish, their conjuration and distribution in five groups of seven around the building: at the head of the bed, the foundations of the house, the threshold of the chapel, the front of the door, behind the chair or throne, and the middle of the house in front of the chair or throne.
[5] Other models that were fashioned included dogs, ugallus, various gods (e.g. Meslamtae’a) and monsters, all invoked with the purpose to further the cause that "the evil one and the enemy will be put to flight."