Štrajk mozga (Mind on strike) is the fifth studio album by Bosnian hip-hop star Edo Maajka, released on April 21, 2012.

Furthermore, he stated that the beats from Billain, Koolade, Smak, Dasha and Goce were "superb", and that Edo Maajka with his lyrics was in a "good mood, playful, focused, sharp as the toughest days".

He also adds that "Edo is an extremely sensitive individual whose verbal talents call to action, not just the current comment."

As a final thought he adds "the secret of the new album as well as the previous two is keeping conviction, strength of selected topics and ways of saying, and most insist on a very diverse rhythmic patterns of the producers".

Dragaš states that the first half of the album is filled with themes that deal with depression caused by job loss, credit loops, life in debt, no winnings in the lottery, and all of this has nothing to do with the economy but more to do with political corruption and pandering to owners who have a big capital.

Dragaš furthermore states in such misery, marriages are falling apart, children are suffering, existence is uncertain and panic is rising, but the most important thins is that we are on Facebook and holding a cell phone to are ears and Edo Maajka explains this mentality throughout his songs.

Dragaš commented on a few songs saying that the most relating songs include Imaš li ti šta para(parable about borrowing money in neighborhoods and lending money to countries who are on the verge of bankruptcy), Facebook (statements about the bad side of the social network and the Internet in general, especially in our county, Drukčiji(about the differences between people, no matter from what city, Ratata/Moj Dj (about the hate that is seen between young people all over the world and a represent track that states who the best DJ is) are my favorite tracks on the album.

In the song Edo Maajka name-drops Rote Fabrik, a club in Zürichu, Štuk in Maribor and Kino Šiška in Ljubljana.

Hadrović concludes his review saying that this album is like "twelve micro-situational chapters about the slow, but evident, decline of the middle class in all former six republics, especially Bosnia and while General Woo criticized the parliaments and Damir Avdić was directly looking for the ones responsible, Edo raps about the consequences of trying to live a normal life in southeast Europe".

When it comes to nationalism, "virtuous" politicians, or the "hard" life of the Balkans directors, Edo Maajka is still very sharp, tough, direct and without a shred of self-censorship, as in his best days".