[2] The track was produced by Damon Rochefort, who also shares writing credits with fellow Nomad member Steve McCutcheon and rapper MC Mikee Freedom.

[7] The song entered the top 10 also in Austria (10), Belgium (8), Ireland (10), Luxembourg (2), the Netherlands (5), Spain (5) and Switzerland (6), as well as on the Eurochart Hot 100, where it peaked at number six in March 1991.

AllMusic editor Stewart Mason named the song a "terrific dance club staple", complimenting singer Sharon Dee Clarke's "soulful, expressive voice", and writer/programmer Damon Rochefort, that gives the whole thing a "perky, bouncy feel".

[10] American magazine Billboard stated that the song had recently topped dance charts "thanks to Sharon Dee Clark's belting vocals and Damon Rochefort's savvy beat and melody construction.

"[11] Billboard editor Larry Flick complimented its "contagious melody, a slammin' groove, and a well-timed trade-off between rapid male rapping and diva-styled femme singing.

"[12] Zane from Melody Maker stated, "The song's irritatingly catchy sax samples and the ubiquitous female soul vocals made it a deserved, if obvious, Top Five hit.

Its crowd chants, stabbing saxophone, lazy strings and catchy chorus conspired to make it the Christmas period's most guaranteed floor filler.

[19] It features both MC Mikee Freedom and Sharon Dee Clarke, and have them dressed in body paint while they are performing the song at a rave concert.