He went on to emphasize, "Six of our well-established directors have made highly individual films of real distinction: Michael Winterbottom's A Cock and Bull Story, Ken Loach's Palme d'Or winner The Wind That Shakes the Barley, Christopher Nolan's The Prestige, Stephen Frears's The Queen, Paul Greengrass's United 93 and Nicholas Hytner's The History Boys.
Two young directors made confident debuts, both offering a jaundiced view of contemporary Britain: Andrea Arnold's Red Road and Paul Andrew Williams's London to Brighton.
Most of the best Western European films came from France, with Michael Haneke's Caché, proving the most widely discussed art-house puzzle picture since Last Year at Marienbad.
The award of 18 certificates by the BBFC to Shortbus and Destricted has brought close the abolition of censorship, but not of classification, and Ang Lee's Brokeback Mountain was a real step forward for the representation of homosexuals in mainstream cinema, though Gore Vidal claims that there's a gay subtext to every western.
However, the year's most extraordinary event, or conjunction, was the almost simultaneous release of Tommy Lee Jones's directorial debut The Three Burials of Melquiades Estrada and Al Gore's documentary An Inconvenient Truth.