There were also sculptures utilising work by Mies van der Rohe and Lilly Reich made in glass and steel.
Richard Dorment wrote in The Daily Telegraph: "The shortlist for this year's Turner Prize is so wilfully opaque it's irrelevant."
"[9] Similarly, Jonathan Jones wrote in The Guardian that the show "reflect[ed] a mentality only too dominant in art magazines and curating right now—a rather overthought, overtalked, pseudo-intellectual culture.
"[15] In The Times, Rachel Campbell-Johnston wrote, "I can't help thinking that this show will prove ... like the returns desk of Ikea on a Monday morning.
This year’s Turner Prize exhibition is without competition the worst in the history of the award.... a killer mix of self-indulgence and academicism.
"[16] In contrast, Adrian Searle wrote in The Guardian: "[T]here's a depth and complexity [in the Turner exhibition] that, it would be nice to think, might overtake the usual chat about winners and losers.
"[5] Outside the exhibition, the Stuckists art group handed out leaflets with the message "The Turner Prize is Crap", to protest the lack of figurative painting.