30 Days in Atlanta is a 2014 Nigerian romantic comedy film written by Patrick "Koinage" Nnamani,[2] produced by Ayo Makun and directed by Robert Peters.

In court, the judge agrees that the total income Akpos has earned will be sufficient as compensation for his legal and visa violation if the money is donated to charity under supervision.

Richard attempts to mend his relationship with Kimberly, but Odiye orders him to leave his daughter alone, reiterating the bad image many young Nigerian men portray to the Western world.

Nollywood Reinvented gave a 24% rating, commenting: "For the length of the approximately 2hr long movie, there was a competent joke in every part for at least the first hour and a half.

[9] The Daily Independent commented that the comedy in the film is filled with clichés and stereotypes, but a proper story eventually emerged.

It concluded that "he [Ayo Makun] has sent a strong message with this effort that a good quality comedy film can be made".

He says Ayo Makun isn't "a rounded actor", calls the film a hybrid of Osuofia in London (2003) and The Return of Jenifa (2011), and concludes: "...there is no single, continuous plot but a series of sketches and happenstances cobbled together to make up a movie.

The pacing moves breezingly [sic] enough to obscure the lack of a substantial story but it does little to hide the deficiency with continuity as the scenes just clash noisily into the other.

[11] Today's Woman magazine gave the film 3 out of 5 stars, commenting: "The beginning scenes were cliche, predictable and reminded me a little too much of Osuofia in London.

[12] Babatunde Lasaki on 360Nobs gave 6 out of 10 stars and comments: "A usual story retold in an unusually funny manner.

[13] Obehi Bassey of True Nollywood Stories states that Ayo Makun's acting skills is non-existent, says the film is needlessly dragged, but concludes: "30 days in Atlanta remains a movie worth seeing.