[3] On presenting his ideas for the album to the label, they suggested he cut his version of the Simpsons theme tune.

[4] Gatton stated that at the time of producing the album, he "was playing Scotty Moore's original guitar [...] It's a Gibson ES-295, and I bought it trashed out twelve years ago.

[3] The album was produced by Gatton, Billy Windsor and Ian Kimmet, recorded and mixed by George Cowan at Bearsville Studios in Woodstock, NY and mastered by Bob Ludwig at Masterdisk.

[4] In a review for AllMusic, Cub Koda wrote that the album was "a whole lot more than just yer average fretboard wanking jam-fest".

[7] The entire album was nominated for Best Rock Instrumental Performance at the 1992 Grammy Awards, losing to Eric Johnson's "Cliffs of Dover".