A Boyar Wedding Feast

[nb 2] The painting shows a toast at a wedding feast following a boyar marriage, set in the 16th or 17th century, where the bride and the groom are expected to kiss each other.

[9] Konstantin Makovsky (1839–1915) was a famous Russian realist painter who opposed academic restrictions that existed in the art world at the time.

He entered the Moscow School of Painting, Sculpture and Architecture at the age of 12, where he was influenced by teachers such as Vasily Tropinin and Karl Bryullov.

After graduating, Makovsky went to France in hopes of becoming a composer, but after touring Europe in order to get acquainted with traditional folk and classical music, he ultimately chose painting.

[10][11] In 1858 Makovsky entered the Imperial Academy of Arts in Saint Petersburg, where he created artworks such as Curing of the Blind (1860) and Agents of the False Dmitry kill the son of Boris Godunov (1862).

In 1863, Makovsky and thirteen other students protested against the academy's decision to only allow artwork of Scandinavian mythology in the competition for the Large Gold Medal of Academia.

He went on to travel North Africa and Serbia in the mid-1870s., which resulted in a significant stylistic change as he started putting greater emphasis on colours and shapes.

[17][18][19] Winning the 1885 medal of honor at the Exposition Universelle d'Anvers (2 May – 2 November 1885), A Boyar Wedding Feast was purchased by American jeweler and art collector Charles William Schumann in August 1885[20] for $15,000[21] (or £10,000).

Makovsky's self portrait (1856)
Detail: the roasted swan on a large platter