A Flash Flood of Colour is the third studio album by English rock band Enter Shikari, and was produced by Dan Weller.
The album was recorded in May and June 2011 at Karma Sound Studios in Bang Saray, Thailand, and at the Fortress in London, United Kingdom.
It confronts flaws in government action to end the global recession, also touching on the political situation in Israel and climate change.
Enter Shikari took a different lyrical direction with the release of their 2009 album Common Dreads, which focused on financial meltdown, economic collapse and widespread discontent.
[3] Journalists such as Ian Winwood credited the band's lyrical direction as a reaction to the evolution of politics since their 2007 debut album, Take to the Skies; there is now "ongoing Orwellian overseas conflicts, riots in England's major cities, endless austerity programmes the end date of which stretch years into the distance".
[5] The record was produced by former SikTh guitarist Dan Weller, who helped with guitar production on Common Dreads, and sound engineer Tim Morris.
[19] The album's treatment of current affairs and environmental issues takes aim "at the failings of capitalism, the hypocrisy of modern politics and the blatant disregard of human health and happiness" and has been compared to the calculated approach of the Occupy movement, rather than an ensuing class conflict.
[19] A Flash Flood of Colour opens with the trance-like, spoken-word introduction to "System...", featuring synthesised strings,[3][24] a "battle cry" buildup[25] and an outline of the album's lyrical themes[23] (metaphorically comparing Britain's economy to an eroded cliff-top house).
[26] "Ssssnakepit" mixes jungle music "fury", thrash metal guitar riffing,[27] an electro interlude and a catchy chorus;[24] Reynolds also noted drum-and-bass and hardcore-punk influences.
[22] Reynolds described "Hello Tyrannosaurus, Meet Tyrannicide" as a critique of certain democracies which are "polite dictatorships", specifically referring to those in the Arab Spring movement.
On 5 January 2012 Enter Shikari released the studio version of "Arguing with Thermometers" on their YouTube page, and it was played on Lowe's show as his "Hottest Record in the World".
[42] As a "first big test" Enter Shikari introduced songs from A Flash Flood of Colour at Soundwave in Australia, and they were pleased by the positive reaction to their new music.
[2] Drew Beringer of AbsolutePunk praised the album in an eight-out-of-ten review: "The quartet has a much bigger goal than just getting kids to dance to their breakdowns, rather they focus on putting a lot of substance into each track, hoping to inspire this generation to take a stand and make change amongst the broken systems throughout the world".
He called the music far more upbeat than Enter Shikari's serious message: "This 11-song set is a good deal of fun to listen to, even if its lyrics' subject matters are the exact opposite.
"[28] Winwood also reviewed the album favourably for BBC Music, comparing its lyrics to The King Blues' Punk & Poetry and calling Enter Shikari "the only other mainstream-breaching British rock band concerning itself with the news of the world".
[4] Johnny Firecloud gave the album an eight-out-of-ten rating on CraveOnline: "Enter Shikari have found a balance while honing a voice of rebellion – at a time where tearing down boundaries and microanalyzing the current structure is more vital and valuable than ever before in our lives.
'[26] In NME, Dan Martin gave the album an eight-out-of-ten rating: "All of that surface tension lands Enter Shikari in a pretty powerful position for their third – and, as the title promises fabulously, they respond to the challenge in explosive style to deliver something like their defining statement.
"[22] Rocksound writer Ryan Bird gave the album a nine-out-of-ten score, praising the band for their emotional cultural and sonic development and noting the importance of their message: "In a world edging ever closer to complete and utter destruction, Enter Shikari remain fearless and uncompromising leaders in a field of one.