[2] It is notable for featuring Joan Greenwood in an early starring role;[3] and Basil Radford and Naunton Wayne in their comedy double act as two cricket-obsessed Englishmen, this time called Fotheringham and Prendergast.

[4] Tony is an inventor who divorces a shrewish, nagging wife, and desiring to avoid all women, finds employment in a remote all-male department of the War Office.

It was the 24th most popular film at the British box office in 1946 after The Wicked Lady, The Bells of St Marys, Piccadilly Incident, The Captive Heart, Road to Utopia, Caravan, Anchors Away, The Corn is Green, Gilda, The House on 92nd Street, The Overlanders, Appointment with Crime, The Bandit of Sherwood Forest, Kitty, Spellbound, Scarlet Street, Men of Two Worlds, Courage of Lassie, Mildred Pierce, The Spiral Staircase' and Brief Encounter, The Years Between and The Dolly Sisters.

This blatantly sexist comedy may definitely raise a few hackles" ;[6] while David Parkinson in the Radio Times called it "an object lesson in how tastes change, this chauvinistic comedy was co-scripted (with producer-husband Sydney) by Muriel Box, who was one of the few female creatives with clout in postwar British cinema.

Moreover, it made a star of Joan Greenwood in a role that basically dismisses women as blethering nuisances who should be seen and not heard...Talk about not standing the test of time.