[5] Produced by Scott Billington, the album was recorded at Ultransonic Studios, in New Orleans.

[10] Dan Penn wrote "Be Good to Me Tonight" and "Can't Stand a Broke Man".

[15] The Sunday Age wrote that "Good Day represents the best, horn-driven, vintage R&B put out today.

"[18] The Atlanta Constitution noted that, "with Brown's experience, she's able to seamlessly explore the tricky territory between blues and jazz with ease.

"[9] The Pittsburgh Post-Gazette deemed the album "a tribute to her vocal skills—if anything, better with age, a voice full of whiskey and wry.