The album contains disco music that had been mixed by Tom Moulton, ranging from artists from such as Eddie Kendricks, Andrea True Connection, Isaac Hayes, and Grace Jones.

[4] Several of the tracks on the album were unreleased versions such as "Keep on Truckin" by Kendricks, "I'll Be Holding On" by Al Downing and "Free Man" by South Shore Commission.

[4][9] John Brugess of The Guardian praised the album, stating that "artists graced with a Tom Moulton mix could expect their concise pop to be turned into an epic drama" and proclaimed that "Moulton had a good sense of when to hold back (Patti Jo's Make Me Believe In You is stripped and urgent) but also knew that disco floors often relished going over the top: MFSB's Love is the Message sounds like John Williams conducting a choir of cartwheeling angels.

"[6] Andy Beta of The Stranger echoed praise of Moulton's mixes, finding that under Moulton's guidance, "almost any component of a song could mutate and overtake the original, from the Indian toms on BT Express's "Peace Pipe" and MFSB's orchestral opulence on "Love Is the Message" right down to the tangy banjo from Al Downing's "I'll Be Holding On."

"[3] Andy Kellman of AllMusic proclaimed the album as "one of the finest disco compilations" and that "it just so happens that it was put together to honor the work of a pioneer who played as much of a role in the development of dance music as any songwriter, producer, session musician, vocalist, or DJ.