[3] Cinematographer and coscreenwriter Amnon Salomon stated, during an interview, held late in life, that the film's origin is in Katmor's early exhibition, dealing with the female body, and, that the filmmakers had no commercial motivations.

[4] This modernist and non-linear film, influenced by the French New Wave, and, especially, by films such as Jules and Jim and Breathless, tells the story of an advertiser (Yossi Spector), in his forties, who meets Helit (Helit Yeshurun [he]), a model in her twenties, and together the two spend a day in Tel Aviv and Jerusalem.

The film ends with the advertiser strangling Helit to death, during a sadomasochistic session.

[9] The film, however, was a commercial failure, with only 38,000 tickets sold, due to its highly avant-garde nature.

[10] University of Haifa sociologist, Prof. Dr. Oz Almog [he], wrote that film's main theme is the independent woman's, unsuccessful, attempt to free the man, from the shackles of his masculinity, and, noted that it was one of the first Israeli films to express their director's personal view.