Only in a few albums he wears different outfits, namely "De Driedubbelgestreepte" ("The Three Double Striped One") (1963), in which he calls himself "Otto... aha... Mobil" and walks around with a piece of carrossery around his body.

In "De Neroberg" ("The Nero Mountain") (1986) he wears a traditional Indian outfit and calls himself "Kalimpong Singh".

[5] Seeing that he is certified insane and spent a lot of time in mental institutions it can be assumed that it's part of his personal illusions.

In "De Nerovingers" (1960) Tuizentfloot helps the mad scientist Marcus Liberius in his crazy plan to split the Earth in two.

In "Nerorock" (1990) Nero starts a rock band and Tuizentfloot is hired as their drummer, seeing that he is "crazier than Animal".

[9] Two of his uncles were apparently rich and left him their fortune twice[10] Tuizentfloot fell in love with Prinses Lovely in "De Mosterd van Abraham" ("The Mustard of Abraham") (1973), but, despite wanting to marry him at first, she eventually rejects him "because his moustache is too long and his socks too short.

In "De Granaatslikker" ("The Grenade Swallower") (1957), "Het Wonderwolkje" ("The Magic Cloud") (1960) and "Kouwe Kwibus" (1967) ("Cold Weirdo") he respectively uses a pig, a pelican and a giant mosquito as his personal mount.

Still he can attack and kill them too, like the snake and tiger in "De Kat van Katmandu" ("The Cat of Catmandu") (1978).

In "De Kat van Katmandu" ("The Cat of Catmandu" (1978)) he is changed into a cockatoo and in "Allemaal Beestjes" ("All Animals") (1981) in a wasp.

Tuizentfloot is included along with other Nero characters on a bas-relief in Sint-Niklaas, made by sculptor Paul Dekker in 1988 to commemorate Marc Sleen's induction as an honor citizen of the city.

[15] In 2000 Tuizentfloot also received his own statue in Wuustwezel in front of the local library in de Dorpsstraat.

[16] The location was chosen because Tuizentfloot frequently refers to the town in the Nero albums, claiming to have won the (non-existent) "Battle of Wuustwezel".

Sleen responded to this by having the character not appear in some stories, but by popular demand he was always forced to bring him back again.

In "De Mosterd van Abraham" (1973) Tuizentfloot visits Marc Sleen at the start of the story to complain about his small roles in his latest albums.