The Accademia del Cimento (Academy of Experiment), an early scientific society, was founded in Florence in 1657 by students of Galileo, Giovanni Alfonso Borelli and Vincenzo Viviani and ceased to exist about a decade later.
The foundation of Academy was funded by Prince Leopoldo and Grand Duke Ferdinando II de' Medici.
[2] Their motto Provando e riprovando means “proving and disproving”, i.e. providing proofs of true facts and confuting false ones, while a literal translation may read "trying and trying again".
The lack of historical sources was compounded by the fact that although sixteen volumes of writings of the Accademia del Cimento were copied in the early eighteenth century by Giovanni Targioni-Tozzetti, assistant librarian of the Magliabecchi Library, the original manuscripts were lost.
[13] Middleton agrees that the overall emphasis was on what Leopold and Ferdinand wanted to study but makes the case that the society performed experiments according to each individuals curiosity.
Most of the experiments discussed in the Saggi were completed within the first two years of the Cimento and the rest of the time the book went through revisions.
These revisions were caused by Magalotti’s perfectionism, his growing uninterestedness with the experiments themselves, further compounded by the fact the book was being written by a committee.
[15] Recent studies show the adverse impact of the patronage culture and Prince Leopold's desire to be known as a patron of the "new science" on the publication of the document.
The sixth set investigated the compressibility of water[19] while the seventh series put a nail in Aristotle’s idea of the natural state of fire by proving that smoke does not rise in a vacuum.
The twelfth set demonstrated falling body laws Galileo discussed but did not perform experiments to prove.
[20] Instead, it seems as if the main members of the society performed the experiments that most interested them with the best instruments currently available from the patrons and then all moved to different pursuits.
[23] Recent studies have cast doubt about society member's acceptance of this new method for acquiring knowledge and determining truth.
The Medici family had long been a supporter of arts and culture within Florentine society and wanted to use the Cimento to project their power and prestige throughout Europe.
The members of the society knew this and envisioned the publication of the Saggi would "return the applause that is merited by the talent and dilligence of thies gentleman [the accadmeician], and first of all by the manganimity of Your Highness.[sic?
However, Lorenzo Magalotti made a special trip to London to present the Royal Society with a copy of the Saggi.
It is argued that the reason no correspondence was established was that Robert Boyle was sensitive to having his ideas stolen and saw the Cimento as a direct competitor for priority and stature.