Accompaniment

Accompaniment is the musical part which provides the rhythmic and/or harmonic support for the melody or main themes of a song or instrumental piece.

Alternatively, the accompaniment to a vocal melody or instrumental solo can be provided by a musical ensemble, ranging in size from a duo (e.g., cello and piano; guitar and double bass; synthesizer and percussion); a trio (e.g., a rock power trio of electric guitar, electric bass and drum kit; an organ trio); a quartet (e.g., a string quartet in Classical music can accompany a solo singer; a rock band or rhythm section in rock and pop; a jazz quartet in jazz); all the way to larger ensembles, such as concert bands, Big Bands (in jazz), pit orchestras in musical theatre; and orchestras, which, in addition to playing symphonies, can also provide accompaniment to a concerto solo instrumentalist or to solo singers in opera.

With choral music, the accompaniment to a vocal solo can be provided by other singers in the choir, who sing harmony parts or countermelodies.

Accompanists often play keyboard instruments (e.g., piano, pipe organ, synthesizer) or, in folk music and traditional styles, a guitar.

While sight-reading (the ability to play a notated piece of music without preparing it) is important for many types of musicians, it is essential for professional accompanists.

Some guitarists, bassists and other stringed instrumentalists read accompaniment parts using tabulature (or "tab"), a notation system which shows the musician where on the instrument to play the notes.

A waltz melody, which is usually in triple meter, is often supported by an "oom-pah-pah"-style accompaniment, which consists of a bass note in beat one followed by a chord that is played twice in beats two and three. Play
" Walking basslines ", so-named because they rise and fall in a regular pattern, are a widely used style of accompaniment bassline in jazz , blues and rockabilly . Play
A guitarist playing the basso continuo accompaniment part for Baroque music composer Antonio Vivaldi 's Cello concerto in 2008.
Mozart's Piano Sonata, K 545 opening. The right hand plays the melody, which is in the top stave. The left hand plays the accompaniment part, which is in the lower stave. In the first bar of the accompaniment part, the pianist plays a C Major chord in the left hand; this chord is arpeggiated (i.e., a chord in which the notes are played one after the other, rather than simultaneously). Play