By 1924, the group expanded to Ace Brigode & His Fourteen Virginians, producing an array of records that featured tunes like "Colorado-Waltz," among others, continuing their successful run across various record labels, including Columbia and Edison.
In 1925, they maintained their momentum with tracks like "Alabamy Bound," showcasing a range from upbeat jazz numbers to sentimental ballads.
Their recording activity in this period included "Normandy" and the whimsically titled "Why Aren't Yez Eatin' More Oranges?"
Their 1940 recordings, such as "Charley, My Boy" signified a continuation of their musical journey, blending traditional jazz elements, with the evolving sounds of the era.
His band included Abe Lincoln, Al Delaney, Al Tresize, Bob Tinsley, Bud Lincoln, C. Sexton, Cliff Gamet, Dick Ulm, Dillon Ober, Don Juille, Eddie Allen, Frank Skinner, Fred Brohez, Gene Fogarthy, Happy Masefield, Ignaz Berber, Jeremy Freshour, Lucien Criner, Mark Fisher, Nick Cortez, Penn Fay, Teddy King,[1] Ray Welch, and others.