She already sang important roles, such as that of Angélique in the revival of Roland by Piccinni in October 1782.
On 8 July 1782, she made her debut at the Comédie-Italienne, as Mme Saintclair, in La Fausse Magie by Gretry; then as Alix, in Les Trois fermiers de Dezède; as Aline, in la Belle Arsène, but she was not hired by this company.
In 1793, she remained at the Opéra; as a singing artist, attached to this company at least until 1798.
[5] In 1796, she joined the troupe of the Théâtre Feydeau, where she created Ziméo (Martini, 1800).
In 1802, when Feydeau's troupe was combined with that of the Opéra-Comique, she retired from the stage and emigrated to Hamburg.