[6] In 1899, Robineau and her husband launched Keramic Studio, a periodical for potters and ceramic artists that continued in print until 1919.

[5] Her mature work shows Art Nouveau and Japonisme influences in the use of stylized botanical and animal elements.

[5] At a time when many noted china painters worked with blanks made by other people, she handled all phases of the process herself, from forming the pots to incising and painting them.

[6] Some of the detail work on her pieces was so fine that she employed crochet needles and dental tools to get the desired effect.

[6] In 2000, Art & Antiquities magazine named it the most important piece of American ceramics of the last hundred years.