Adele Astaire

The brother and sister act initially worked their way through vaudeville circuits, finally achieving a breakthrough with their first Broadway roles in 1917.

The siblings took several of their more popular shows to Britain's West End during the 1920s, where they were soon international celebrities, meeting members of the British royal family and prominent figures from contemporary arts and literature circles.

She divided her time between properties in the United States; Round Hill, Jamaica; and her old home of Lismore Castle, where she spent her summers up until the end of her life.

Her parents decided to enroll Fred as well — a somewhat frail child in his earliest years — with the intention of having him build strength through dance training, and he, too, showed the beginnings of aptitude.

Adele, Fred and their mother lived in a boarding house, and the children began attending the Alviene Master School of the Theatre and Academy of Cultural Arts.

[7] In late 1905, with the assistance of her dance instructor Claude Alvienne, Adele Astaire began a professional vaudeville act with Fred.

Astaire and her brother, although not union members, lost valuable income nonetheless, and their father, unlucky enough to be working at a Nebraska brewery when state-wide prohibition was approved, was unable to offer financial support.

[17] In 1917, after Fred carefully purchased a full-page advertisement on the back cover of Variety, the siblings landed a part in their first Broadway show, Lee Shubert's Over the Top.

[25] Although their next show The Love Letter was a commercial flop, opening in October 1921 and running for only 31 performances,[26] Astaire and her brother continued to garner appreciation from audiences, and here they introduced what would become one of their signature exit moves, the Runaround.

Fred attributed the popularity of the Runaround to his sister's comedic timing and expressions, and the siblings found ways to incorporate the move into almost every show of their subsequent career together.

[28] In 1922, Adele and Fred landed their first proper speaking roles in the Broadway musical For Goodness Sake, playing the best friends of the lead characters.

They received positive reviews from critics,[29] and sang the hit song "The Whichness of the Whatness", concluding the piece with their increasingly popular Runaround exit.

[34] Adele and her brother developed a dancing style involving complex steps performed rapidly and gracefully, often compared to "a whirlwind" by critics and audiences.

[35] After the idea of performing overseas was suggested, Adele and Fred agreed to take For Goodness Sake (renamed Stop Flirting) to the West End in London.

[39] While in London, Peter Pan creator J. M. Barrie asked Adele to play his creation on stage, but contractual reasons forced her to turn down the part.

[41] Returning to New York in late 1924, Adele and her brother starred in Lady, Be Good!, the first Broadway musical scored entirely by George and Ira Gershwin.

The siblings renewed their acquaintance with the British royal family, receiving an invitation from the Duke and Duchess of York to meet the newborn Princess Elizabeth.

That summer, Adele was injured in an accident on Long Island when a motorboat engine exploded, scalding her upper body with burning oil.

[53] American drama critic Ashton Stevens declared her departure from theater a sad occasion, commenting that "Heaven doesn't send every generation an Adele Astaire".

[54] Following a farewell party, Adele and her mother boarded the RMS Majestic and sailed for London, while Fred remained in the United States to continue his career.

Adele renewed a friendship with fellow passenger Winston Churchill, whom she had earlier met while performing in England, and the pair enjoyed games of backgammon together during the voyage.

Adele paid for the installation of several new, modern bathrooms to replace the castle's antiquated facilities, joking that this was her gift to the family in place of the more traditional dowries brought by rich, aristocratic heiresses.

Charles grappled with severe alcoholism, spending periods of time in hospitals, nursing homes and German spas as he tried unsuccessfully to conquer his addiction.

[61] In 1942, as Adele searched for ways to contribute to the wartime effort, she met Colonel Kingman Douglass, the American chief of U.S. Air Force Intelligence who was stationed in London.

Her mother, who had remained in Ireland to be near her daughter, now stayed home at Lismore to care for the often bed-ridden Charles, sending Adele regular updates.

In 1953, authors P. G. Wodehouse and Guy Bolton, both fans of Adele, wrote a teasing epilogue for her and her brother Fred, who had successfully transitioned to film work after his Broadway career.

Adele closed her career with a triumphant performance in The Band Wagon ... She then married the Duke of Devonshire's second son and retired to Lismore Castle, leaving a gap that can never be filled.

[71] According to her relatives, Adele quickly overcame illnesses, soon getting back on her feet "and in Marine-type English, telling what she thought of the world.

[76] In the early 1980s, the Anglo-American Contemporary Dance Foundation created the Fred and Adele Astaire Awards to recognize outstanding Broadway dancers and choreographers.

[77] Although there is no surviving film footage of Astaire's Broadway performances,[35] recordings do exist of her duets with Fred, George Vollaire and Bernard Clifton.

Adele and her brother Fred in 1906
Astaire in costume for The Passing Show of 1918
Astaire with her brother Fred (1921)
Adele aboard an ocean liner (photo undated, probably mid-1920s)
Astaire (left) with The Band Wagon co-star Tilly Losch
Adele and Lord Charles Cavendish (c. 1932)
A young Kingman Douglass (c. 1918)