Other notable former residents include the music retailers and publishers CCarl Christian Lose den ældre [da], merchant and Cherry Heering-manufacturer Peter Heering and the graphical studio Pacht & Crone.
In June 1684, the property was sold to royal kitchen inspector Edvart (Ewert) Kruse.
[1] The property was after Kruuse's death on 10 June 1701 sold at public auction to the Queen's overhodmester Claus Hartvig Berkentin til Preetz.
Falbe, who then served as 2nd Major in the Crown Prince's Regiment, resided in the building with his wife Friderikke Elisabeth, their son Christian Andreas and daughter Engelke Charlotte, one male servant, a coachman (soldier) and three maids.
The present building on the site was constructed in 1798–99 by Philip Lange and Lauritz Laurberg Thrane.
Eitchen Frans Haly, a music publisher and retailer, resided in the building with his wife Juliana Brunner and two maids.
[7] Eliases Mosses Cohen, a bookprinter, resided in the building with his wife Anna Moresky, one maid and five apprentices.
[8] Christopher Hansen, a club host, resided in the building with his wife Johanne Linderup, their three children (aged six to 13), a caretaker (soldier) and three maids.
On 8 November that same year, Lose and Wenzler were granted an eight-year monopoly on the lithographic printing method in Denmark.
The property belonged to Wulff Abraham Heymann at that time He owned a number of propertoes in the city.
The author Arthur Abrahams (1836-1905) mentions the building in his memoirs Minder om Min Studentertid:[14] The entrance was from Boldhusgade through a dirty gate that led into an even dirtier yard.
In the basement resided a fruit and vegetable merchant, whose luxuriant forms meant that she was never called by the members of the Association other than "the fat cellarwoman".The bookprinter Johan Davidsen (1813-1891) was based in the building from 1862 until the early 1870s.
His publications include Fra det gamle kongens København, a topographical-historical account of Copenhagen.
The chamfered corner bay was dictated for all corner buildings by Jørgen Henrich Rawert's and Peter Meyn's guidelines for the rebuilding of the city after the fire so that the fire department's long ladder companies could navigate the streets more easily.