Adolf Endler (20 September 1930 – 2 August 2009) was a lyric poet, essayist and prose author who played a central role in subcultural activities that attacked and challenged an outdated model of socialist realism in the German Democratic Republic up until the collapse of communism in the early 1990s.
A communist as a young man, Endler moved to East Germany in 1955 and studied at the Johannes R. Becher Institute of Literature in Leipzig from 1955–57.
An acclaimed poet, he was well respected in the East and West, but at the same time was marginalized and degraded by party functionaries who controlled the fields of cultural practice, conspired to guard their concepts of aesthetics, and went as far as to extend their influence into the writer's private life.
In 1978 he coined the term Sächsische Dichterschule to describe the group of German writers who were born in the 1930s and were influential in the areas of poetry, such as, Karl Mickel, Heinz Czechowski, Sarah Kirsch and Volker Braun.
[3]“He admired those who play with language like Kurt Schwitters and Alfred Jarry, astute minds like Karl Kraus and Georg Christoph Lichtenberg and great epic writers like François Rabelais and Hans Henny Jahnn.