Black Peruvians

[7] Gradually, Afro-Peruvians were concentrated in specialized fields that drew upon their extensive knowledge and training in skilled artisan work and in agriculture.

After Indians became scarce as labor force on haciendas, the people of color gained a title of yanakuna, hitherto assigned only to indigenous servants with full right to own a piece of land and a day to work on it.

[9] Afro-Peruvians often exercised agency by using huido (translated as escape, flight) from haciendas and changing masters on their own initiative or joining the cimarrones (armed gangs of runaway slaves that formed small communities in the wilderness and raided travel merchants).

A freed person of color needed to have a job, was required to pay the tribute, was called to serve in the militia to defend the state.

While some did stay with Spanish in order to save money, the large majority successfully defied the rule and began building "joint communities" to support each other.

Universities and schools largely run by the Church forbade the non-white population to enroll, under the justification that they were "unworthy of being educated".

Thus, two years after his death, will be removed from the constitution the principle of "emancipating soil" according to which a slave entering Peru is, de facto, made free.

Today, Afro-Peruvian communities celebrate the landmark decision of Castilla with a popular refrain: The newly freed citizens typically took the last name of their former owners.

Despite the gradual emancipation of most black slaves in Peru, slavery continued along the Pacific coast of South America throughout the 19th century, as Peruvian slave traders kidnapped Polynesians, primarily from the Marquesas Islands and Easter Island and forced them to perform physical labour in mines and in the guano industry of Peru and Chile.

As a result, the hotbed for Afro-Peruvian music are the small coastal towns of Chincha and Cañete, not too far south of Peru's capital, Lima.

There are demonstrations that are still valid, such as the "Danza de Negritos y Las Pallitas" developed at Christmas time in the towns of the central coast of Peru.

[citation needed] The highest concentration of Afro-Peruvians in the country is found in Yapatera in Morropón (Piura); composed of about 7000 farmers, most of whom are descendants of former African slaves, where a large number of people of "Malagasy" or "Mangache" origin (from Madagascar) stand out.

Other cities such as: Tumán, Batán Grande, Cayaltí and Capote in the department of Lambayeque are known for hosting a good number of Afro-Peruvian populations.

[citation needed] In the city of Lima, the districts of Cercado, Breña, Surquillo, San Martín de Porres, Barranco, Surco, Chorrillos, Rímac and La Victoria are known for having regular numbers of Afro-Peruvian populations, as well as Callao.

[citation needed] The coastal cities of the central and southern regions known for their black populations are Cañete, Chincha, Pisco, Ica and Nazca.

Formerly the communities to the south of Lima were known as the peoples with the highest intensity of Afro-Peru, but due to excessive miscegenation between African descendants and Andean migrants, the Afro-Peruvian roots have been lost.

However, there are still important settlements known for their traditional presence of Afro-Peruvians: El Carmen and El Guayabo, in the province of Chincha, where Julio "Chocolate" Algendones and the traditional Ballumbrosio family come from; in addition to San Luis, in the province of Cañete, land of Caitro Soto, Coco Linares and Ronaldo Campos.

[citation needed] An interesting fact is that former African slaves came to small valleys of the central high jungle located in Cerro de Pasco and Huánuco.

[17] It was announced by Women's and Social Development Minister Nidia Vilchez, and initially published in the official newspaper El Peruano.

[19] Although some human rights groups lauded the government's acknowledgment, other experts criticized the apology overall for failing to reference slavery or promise a change in the status quo.

[19] The public ceremony for the apology held on 7 December 2009 in the Great Dining Room of the Government Palace, with the presence of then President Alan García, the Minister of Women and Social Development, Nidia Vilchez, the Afro Peruvian Congress member Martha Moyano, with the former mayor of El Carmen, Hermes Palma-Quiroz, and the founder of the Black Movement Francisco Congo, Paul Colino-Monroy.

In the ceremony, President García said: We are here together for an unusual act without precedent, to apologize to the Afro Peruvian people but most deeply pardon to the black race, that our voice can be heard in the countries inflicted with the slavery commerce, which tore so many men and women, millions of them, and took them away to the ends of the planet to work in plantations.

Afro-Peruvian servants in Lima, early 19th century
Son de los Diablos , an Afro-Peruvian dance which is based in the Diablada and African rhythms. Painting by Pancho Fierro .
Afro-Peruvian musicians in El Carmen
Afro-Peruvian man collecting cotton, Ica Region of Peru
Amador Ballumbrosio, musician and dancer
Jefferson Farfán , football winger, played in Europe for many years and is the second top goalscorer for Peru's national team.
Singer/Songwriter, former cabinet member Susana Baca