Other roles included Leonore in Beethoven's Fidelio, Rebecca in Marschner's Der Templer und die Jüdin, Sesto in Mozart's La clemenza di Tito and Alice in Meyerbeer's Robert le diable.

After two years she terminated the Dresden contract, which also obliged her to act, because she feared that voice training could suffer under the speaking roles.

After successful guest appearances in Berlin and Leipzig, she accepted an invitation to the stage in Budapest in spring 1832 where she was under contract until 1836.

There she had successes as Agathe in Weber's Der Freischütz, Emmeline in Joseph Weigl's Die Schweizer Familie, Zerline in Mozart's Don Giovanni, Desdemona in Rossini's Otello, in the title role of Cherubini's Médée and especially as Romeo in Bellini's I Capuleti ed i Montecchi.

After the end of her engagement in Budapest, she gave guest performances at the leading German opera houses from 1836 to 1841.