In their 2015 book dedication to him, Steven Loft and Kerry Swanson describe Maskêgon-Iskwêw as "one of the foremost thinkers and practitioners of Aboriginal new media art.
In 1995 Maskêgon-Iskwêw co-curated with Debra Piapot the exhibition nanâtawihitowin-âcimowina (Healing Stories): Three Collaborative First Peoples Performances at the Walter Phillips Gallery in Banff.
A significant force for online development of Indigenous communities, Maskêgon-Iskwêw was a member of both the Canada Council Inter-Arts Office Advisory Committee (1999-2003) and its Media Arts Internet Dissemination Working Group (2001).
In 2002 Maskêgon-Iskwêw curated Signified: Ritual Language in First Nations Performance Art, with Reona Brass and Bently Spang at Sâkêwêwâk Artists’ Collective in Regina.
Maskêgon-Iskwêw's writing has appeared in Talking Stick First Nations Arts Magazine, Mix (formerly Parallélogramme), and Fuse Magazine, and in multiple anthologies, including Caught in the Act: An Anthology of Performance Art by Canadian Women (2004),[7] and Transference, Tradition, Technology: Native New Media Exploring Visual & Digital Culture (2005).