Airbrush

An airbrush is a small, air-operated tool that atomizes and sprays various media, most often paint, but also ink, dye, and make-up.

Up until the mid-2000s, it was widely published that the airbrush was invented in 1893, but following research undertaken in collaboration with New York University's Conservation Department, and personal support from Professor Margaret Holben Ellis, a more detailed history emerged, which required many authorities such as Oxford Art to update their dictionaries[1] and references.

According to the research prepared by Professor Andy Penaluna, the first instrument to use a compressed air supply was named the "paint distributor" was developed by Abner Peeler "for the painting of watercolors and other artistic purposes" and used a hand-operated compressor to supply continuous air.

Among others, the Walkups taught airbrush technique to American Impressionist master Wilson Irvine at the Air Brush School in Rockford, Illinois.

The first certain 'atomizing' type airbrush was invented by Charles Burdick in 1893 and presented by Thayer and Chandler art materials company at the World Columbian Exposition in Chicago.

Badger Air-Brush continues the Thayer and Chandler tradition of manufacturing quality airbrush guns, tools and compressors out of Franklin Park, Illinois.

The high velocity of the air atomizes the paint into very tiny droplets as it blows past a very fine paint-metering component.

An extremely fine degree of atomization is what allows an artist to create such smooth blending effects using the airbrush.

Painting at this skill level involves supplementary tools, such as masks and friskets, and very careful planning.

Larger "spray guns" as used for automobile spray-painting need 100 psi (6.8 bar) or more to adequately atomize a thicker paint using less solvent.

With commercial spray guns for automobiles, it is vital that the painter have a clean air source to breathe, because automotive paint is far more harmful to the lungs than acrylic.

The color volume and spray pattern are maintained at a fixed level until the airbrush user re-adjusts the setting.

Single-action airbrushes are simpler to use and are generally less expensive, but they present limitations in applications in which the user wishes to do something more artistic than simply apply a large, uniform coat of color.

Typically instruments with the finest mist atomization and detail requirements use this method since less air pressure allows for finer control of paint flow and less overspray.

By observing this rule, precise control of paint volume and line width and character can be achieved.

The very first design by Stanley alluded to this: "My invention relates to such improvements in atomizers that may be employed for finishing photographs in water-colors,[8] india-ink, and crayon".

In the 20th century Soviet Union, as a result of Stalin's purges and later destalinization, many photographs of officials from the periods show extensive airbrushing; often entire human figures have been removed.

The term has often been applied in a pejorative manner to describe images of unrealistic female perfection and has been particularly common in reference to pictures in Playboy, and later Maxim.

In the fine retouching industry, the airbrushing technique is often considered a low-end practice, with significantly inferior quality to that found in the most important fashion photography publications.

The fine atomization of paint in modern airbrushes also makes it possible to accurately reproduce soft-edged mottled camouflage schemes, which are very hard to do convincingly by hand-brushing (Luftwaffe aircraft are a good example of this).

Monte Westmore is sometimes credited[9] with developing the technique for Gone With the Wind, but his brother Wally was using it at least five years earlier in Pre-Code films such as Murder at the Vanities.

Airbrush makeup has recently been re-popularized by the advent of high-definition television and digital photography, wherein the camera sees more detail than ever before.

Alcohol-based mediums are best suited for waterproof make-up; this makeup lasts longer, is smudge proof, is rich and opaque in colour.

[citation needed] Most professionals prefer to use automotive grade bases through top-of-the-line gravity fed airbrushes.

The cost to hire a professional artist will vary from a few hundred to several thousand dollars, depending on location, skill level and reputation.

In the mid-1970s, Panama City Beach, Florida was the airbrush capital of the world,[citation needed] with hundreds of artists painting custom designs on T-shirts.

Regulatory provisions such as those issued by the U.S. Occupational Safety and Health Administration dictate strict requirements to prevent unsafe use in work environments.

Paasche F#1 Single-action external mix airbrush
An Airbrush artist at work
Aerograph Super 63, a gravity-fed, double-action, internal mix airbrush