[3][4] They began their career with the devotional album Vishwa Vinayak, which combined traditional Ganpati mantras with symphonic music.

In recent years, their work in Marathi films like Chandramukhi and Ved has received critical recognition and awards.

They spent their childhood in several villages of western Maharashtra, such as Rajgurunagar, Junnar, Shirur, Manchar and Ghodegaon as their father had a transferable job.

At that time, devotional music was heavily influenced by film tunes and repetitive loops, which they felt affected its sanctity.

They spent about a year and a half researching and working on the album to ensure the religious chants were accurate and respectful.

This marked the beginning of growing recognition for Vishwa Vinayak, as they started receiving appreciation from listeners worldwide.

Ram Gopal Varma approached them for the film Gayab, while Mahesh Manjrekar and Amitabh Bachchan collaborated with them on Viruddh.

Their success in Marathi cinema also began during this time, with projects like Savarkhed Ek Gaon, Aga Bai Arrecha!

They credit Vishwa Vinayak as the breakthrough that brought them widespread recognition and launched their successful career in music composition.

Their composition for Naṭarang was influenced by traditional Marathi folk music forms like Lavani (लावणी), Phaṭakā (फटका) and Tamāśā (तमाशा).

However, their work in Maharashtra Shahir brought them success again, with the song "Baharla Ha Madhumas" becoming a hit and earning a Filmfare Marathi Award for Best Music Director.

[17] Later that year, their composition "Jai Shri Ram" from the film Adipurush was widely praised for its unique style.

[18] In 2024, the song Baby Bring It On from the film Madgaon Express was released but received negative reviews as it was a remake.