Set in the fictional Arabian city of Agrabah, the story follows the familiar tale of a poor young man who is granted three wishes by a genie in a lamp, which he uses to woo a princess and to thwart the sultan's evil Grand Vizier.
[2] In November 2010, Alan Menken confirmed that a musical theatre adaptation of the movie was in the works with a book written by Chad Beguelin.
Additional cast included James Monroe Iglehart as Genie; Sean G. Griffin as Sultan; Don Darryl Rivera as Iago; and Andrew Keenan-Bolger, Brian Gonzales and Brandon O'Neill as Omar, Kassim and Babkak, a trio of characters conceived for the film but ultimately replaced by Abu.
[8] In 2012, productions of the musical played at the Tuacahn Amphitheatre in Ivins, Utah, from June to October 2012 and The Muny in St. Louis in July 2012.
It was directed by Lynne Kurdziel-Formato and starred Johannes Nymark as Aladdin, Maria Lucia Rosenberg as Jasmine and Pelle Emil Hebsgaard as Genie.
Directed by Bobby Garcia and Chari Arespacochaga, it starred Tom Rodriguez as Aladdin and featured Aiza Seguerra as Genie.
Most of the Seattle main cast remained with the show, including Adam Jacobs as Aladdin, James Monroe Iglehart as Genie, Courtney Reed as Jasmine, Jonathan Freeman as Jafar, Don Darryl Rivera as Iago, Clifton Davis as Sultan, Brian Gonzales as Babkak, and Brandon O'Neill as Kassim.
[17][18][19] The show was nominated for five Tony Awards, winning one for Best Performance by a Featured Actor in a Musical for James Monroe Iglehart.
[24] A West End production officially opened on June 15, 2016, at the Prince Edward Theatre, with previews from May 27, 2016, and starring Dean John-Wilson as Aladdin, Trevor Dion Nicholas as Genie, Jade Ewen as Jasmine, Don Gallagher as Jafar, Peter Howe as Iago, Irvine Iqbal as Sultan, Nathan Amzi as Babkak, Rachid Sabitri as Omar, and Stephen Rahman-Hughes as Kassim.
Australian native Ainsley Melham originated the role of Aladdin alongside American actors Arielle Jacobs as Princess Jasmine and Michael James Scott as Genie.
[34] Stage Entertainment announced a Dutch language production for the fall of 2020 at the AFAS Circustheater in The Hague, but it was delayed due to the COVID-19 pandemic.
[35] The show finally premiered on September 26, 2021, with Jonathan Vroege as Aladdin, Stanley Burleson as Genie, and Keoma Aidhen as Jasmine.
[37] The first Spanish language production opened on November 17, 2021, at the Teatro Telcel in Mexico City, starring Rodney Ingram as Aladdin, Juan Pablo Martínez as Genie and Irma Flores as Jasmine.
[39] A second Spanish language production premiered on March 23, 2023, at the Coliseum Theatre in Madrid, produced by Stage Entertainment and starring Roc Bernadí as Aladdin, David Comrie as Genie and Jana Gómez as Jasmine.
Aladdin is a young man who spends his days stealing food from the street vendors of Agrabah along with his three best friends, Kassim, Omar and Babkak ("One Jump Ahead").
After being referred to as a "worthless street rat", Aladdin expresses his dreams of showing the world he's more than just a common urchin ("One Jump Ahead (Reprise)").
Engulfed in darkness, Aladdin rubs the lamp which, to his surprise, unleashes a magical Genie (revealed as the man from the beginning of the show) who offers to grant him three wishes.
Aladdin decides to use his first wish to become a prince in order to be legally able to court Jasmine (Act One Finale: "Friend Like Me"/"Proud of Your Boy" (Reprises)).
Jafar, who is suspicious of Ali, tells him the location of Jasmine's bedroom, not mentioning that it is against Agrabah law for the Princess to have a suitor in her quarters unsupervised.
All ends well as Aladdin and Jasmine board the magic carpet and take flight (Finale Ultimo: "Arabian Nights"/"A Whole New World" (Reprises)).
This 'colourblind' policy sparked some controversy, with the American Arab Anti-Discrimination Committee receiving numerous complaints from actors of Middle Eastern descent.
The executive director of a US minority rights organisation lamented that the production had 'missed an opportunity' to showcase Arab-American actors, who remain underrepresented on Broadway.
The filmed production starred performers from the original Broadway, West End, Sydney and US Tour productions: Ainsley Melham as Aladdin, Trevor Dion Nicholas as Genie, Isabelle McCalla as Jasmine, Brian Gonzales as Babkak, Brandon O'Neill as Kassim, Robert Tripolino as Omar, Irvine Iqbal as the Sultan, Don Darryl Rivera as Iago and Jonathan Freeman as Jafar.
"[56] The Vancouver Sun said "Director Casey Nicholaw has served up a thoroughly satisfying confection for kids, who will no doubt delight in the swords, smoke and spectacular tunes of Aladdin – and will leave the theatre content to have been transported to 'a whole new world'.
It felt as though the book concentrated too hard on adding cheesy 'current affair' style jokes ... and clunky one-liners instead of giving depth and material to Aladdin, Jasmine and the Genie.
"[61] Elysa Gardener of USA Today gave the show 3.5 out of four stars and said, "If Disney Theatrical's latest production doesn't sustain that frenzied high throughout, it delivers a rush that may surprise folks who attend either as chaperones or to relive their own youths.
"[62] Thom Grier of Entertainment Weekly gave the show a "B" and said, "Overall, this is one of the better Disney stage musicals, complete with several eye-popping production numbers that benefit from Nicholaw's spirited choreography, Bob Crowley's elaborate and chameleonic sets, and Gregg Barnes' glittery costumes.
"[63] Terry Teachout of The Wall Street Journal praised Iglehart's performance, especially during the number "Friend Like Me" but wrote: "The trouble is that nothing else in the first act can touch it.
[64] Charles Isherwood of The New York Times was mostly positive in his review, writing that "this latest musical adapted from one of Disney's popular movies ... defied my dour expectations.
But the notion that Disney Aladdin somehow resurrects the spirit of the late Howard Ashman, who had the original inspiration for the movie and contributed most of its clever lyrics, is a joke.