He has managed or championed acts such as the Jesus and Mary Chain, the Telescopes, Primal Scream, My Bloody Valentine, Ride, Momus, Oasis, and the Libertines.
[2] He grew up in Glasgow and attended King's Park Secondary School, where he met future Primal Scream founder Bobby Gillespie.
(named after the Creation's song), which would continue until 1991, and began running a club night called "The Living Room" at The Adams Arms in Central London.
He also began managing the then-unknown band the Jesus and Mary Chain, whose first single was issued on McGee's label in November 1984.
[3] Creation Records was one of the key labels in the mid-80s indie movement, with early releases featuring artists such as Primal Scream, the Jasmine Minks, and the Loft.
When the Jesus and Mary Chain moved to Warner Brothers in 1985, Creation was able to use McGee's profits as their manager to release singles by acts including Primal Scream, Felt, and the Weather Prophets.
While these records were not commercially successful, McGee's enthusiasm and ability to promote Creation releases in the weekly music media ensured a healthy following.
[3] At the point it seemed Creation would collapse into receivership, the recently signed Manchester band Oasis began selling albums in huge quantities, and became one of the leading lights of the Britpop movement of the mid-1990s.
[6] This brought McGee substantial exposure, and his position was noted by the revitalized Labour Party, who considered him a figurehead of youth culture and courted his influence to spearhead a media campaign prior to the 1997 General Election.
McGee returned to making music in 1997, collaborating with Ed Ball under the name the Chemical Pilot, releasing the album Journey to the Centre of the Mind in 1998.
Death Disco had branches in Glasgow, London, New York City, Budapest and Los Angeles, and featured appearances from artists such as the Libertines, the Killers, BRMC, Kaiser Chiefs, Glasvegas, Razorlight, the Hives, Kasabian, the Darkness, Neils Children, and the Foxes.
[citation needed] In 2007, McGee was made a Companion of the Liverpool Institute for Performing Arts, in recognition of the work that he has carried out with students.
The roster subsequently expanded to include Wilko Johnson, Happy Mondays, Black Grape, Cast, Glasvegas, the Bluetones, and Shaun William Ryder solo projects.
[22] In January 2000 he likened the Labour Party to Big Brother in George Orwell's Nineteen Eighty-Four, and accused Tony Blair of being a "control freak".
[23] One of McGee's last acts as the head of Creation Records was to use £20,000 of the company's money to fund Malcolm McLaren's campaign to run for Mayor of London.
[31] In February 2012, McGee announced in the Huffington Post that he had started a new film company with writer and director Dean Cavanagh, who still works with Irvine Welsh, called Escalier 39.
[33] McGee features extensively in the documentary film Teenage Superstars, which focuses on the Glasgow independent music scene during the early years of Creation Records.