In 1973 the Greater London Council (GLC) added two concrete piers, which transformed the central span into a simple beam bridge.
Incorporating a roadway only 27 feet (8.2 m) wide, and with serious structural weaknesses, the bridge was ill-equipped to cope with the advent of the motor vehicle during the 20th century.
Despite many calls for its demolition or pedestrianisation, Albert Bridge has remained open to vehicles throughout its existence, other than for brief spells during repairs.
In 1992, Albert Bridge was rewired and painted in an unusual colour scheme designed to make it more conspicuous in poor visibility, and avoid being damaged by ships.
[10] Ordish was a leading architectural engineer who had worked on the Royal Albert Hall, St Pancras railway station, the Crystal Palace and Holborn Viaduct.
Delays caused by the Chelsea Embankment project meant that work on the bridge had not even begun, and a new act of Parliament[which?]
[16] The bridge acquired the nickname of "The Trembling Lady" because of its tendency to vibrate, particularly when used by troops from the nearby Chelsea Barracks.
[24] In 1884 the Board of Works' Chief Engineer Sir Joseph Bazalgette conducted an inspection of the bridge and found that the iron rods were already showing serious signs of corrosion.
[18] Over the next three years the staying rods were augmented with steel chains, giving it an appearance more closely resembling a conventional suspension bridge,[15][25] and a new timber deck was laid, at a total cost of £25,000 (about £3.29 million in 2025).
[9][13] Despite these improvements Bazalgette was still concerned about its structural integrity, and a weight limit of five tons was imposed on vehicles using the bridge.
[16] With a roadway only 27 feet (8.2 m) wide and subject to weight restrictions from early on, Albert Bridge was ill-suited to the advent of motorised transport in the 20th century.
[26] Because of its ongoing structural weaknesses, in 1957 the London County Council proposed replacing Albert Bridge with a more conventional design.
A protest campaign led by John Betjeman resulted in the withdrawal of the proposal, but serious concerns about the integrity of the bridge continued.
[16] The bridge's condition continued to deteriorate, however, and in 1970 the Greater London Council (GLC) sought and obtained consent to carry out strengthening work.
[29] In early 1973, the Architectural Review submitted a proposal to convert Albert Bridge into a landscaped public park and pedestrian footpath across the river.
[30] The proposal proved very popular with the area's residents, and a May 1973 campaign led by John Betjeman, Sybil Thorndike and Laurie Lee raised a petition of 2,000 signatures for the bridge to be permanently closed to traffic.
[28] Although the GLC reopened the bridge to traffic in July 1973, it also announced its intention to proceed with the Architectural Review scheme once legal matters had been dealt with.
The bridge is painted in pink, blue and green to increase visibility in fog and murky light and thus to reduce the risks of ships colliding with the fragile structure during the day.
In 1993 the innovative use of long-life low-energy lighting was commended by Mary Archer, at the time Chairwoman of the National Energy Foundation.
[11] Intended as a temporary measure to be removed in 1978, the concrete central piers remain in place,[19] and although in 1974 its lifespan was estimated at a maximum of 30 years, the bridge is still standing and operational.
[37] As well as structural damage caused by traffic, the timbers underpinning the deck were being seriously rotted by the urine of dogs crossing to and from nearby Battersea Park.
[41] Its distinctive and striking current appearance has led to its use as a backdrop for numerous films set in the Chelsea area, such as A Clockwork Orange, Absolute Beginners, Sliding Doors, Maybe Baby[30] and Flack.