He found serendipitous acclaim in Colombian radio in the early 1960s and continued his career as a humorist on television and various entertainment productions during seventeen years in Puerto Rico from the mid-1960s to the late 1970s.

"[1] Alberto González wrote his first comic script titled "Madera de Comerciante" (Merchant by Vocation) with Adolfo Otero and Mario Galí for the radio show Teatro Del Pueblo (The People's Theater) in RHC-Cadena Azul in La Habana on September 1, 1949, at the age of 21.

[4] He also was a staff writer in the popular show created in 1942 by Zig-Zag magazine co-founder Cástor Vispo titled "La Tremenda Corte" (Shaking Before the Court) with the beloved comic Leopoldo Fernández and Mimí Cal as "Nananina".

González's skill as a humorist helped pioneer Puerto Rican television and provided unabated laughter for his audience and years of successful work with great colleagues, actors, producers and directors.

Adapting his Bufo Theater stock characters, he created instant favorites at "La Taberna India" in WAPA-TV's Channel 4 such as Paquito Cordero's blackface "Reguerete", Adalberto Rodríguez's "Tiburcio Pérez",[5] Elín Ortíz's Spaniard "Reliquia",[6] Luis Vigoreaux's "Meneito", Ramón Rivero's "Diplo", Efraín Berríos's "Pan Doblao"[7] Ofelia Dacosta, Amparo Ribelles, Maribella García,[8] Delia Esther Quiñones,[9] Gilda Galán's "Doña Estelvina Tru-Tru", and the fantastic comedian René Rubiella's "Findingo Lenguamuerta".

According to Margarita Babb's article in one of Puerto Rico's mainstream Spanish newspapers at the time, El Mundo, when the Director of Programming tried to censure the controversial show, González resigned in outrage over freedom of speech infringement.

[11] Over the years, his wife Consuelo helped him manage and develop their first television production agency called Raditel in 1968, and they created several artistic, cultural and philanthropic enterprises such as an improvisational folkloric troubadour competition, a beauty pageant and weekend retreats for poor children at El Conquistador Resort.

The show became a boom for yesteryear radio impresario Rafael Pérez Perry's television Channel 11, featuring Gilda Galán's "Marunga" and her foil, Delia Esther Quiñones.

[1] González helped usher new talent to the television medium in Puerto Rico such as director Mario Pabón, actor Fernando Hidalgo, Juan Manuel Lebrón, Pepe Yedra, and old guard comedians like Normita Suarez, Tito Hernández, and Luis Echegoyen as "Mamacusa Alambrito."

González's eye for folklore and popular culture created other entertainment features like a farcical take on "Fiddler on the Roof" titled "El Pianista en el Tejado" on stage; a prime time soap opera "La Colina de los Siete Vientos" (The Windy Bluff); the popular beauty pageant "La Reina de los Pueblos"(Queen of the Town Beauty Pageant); and, a noon variety show "El Batey de la Alegria" (The Happiness Hut), featuring great folkloric talents like Maso Rivera playing his traditional musical instrument, the Cuatro, in an improvisational competition of Caribbean folk music known as "décimas" that had not been deemed "commercial" enough by television executives.

On July 29, 1992, El Nuevo Herald journalist Joel Gutierrez's article reported that Gonzalez publicly accused the Cuban American Foundation of a commercial blockade and sabotaging their advertising.