Typologically, the monuments are adjacent to similar kurgan burials in different areas of Tuva.

They are rounded or oval mounds of boulders or rock fragments with larger stones at the base, 8 to 12 m across and 1 m height on average, grouped in pairs or occasionally three, located next to each other along a north–south axis.

The main burial is orientated with its head to the west, the others may somewhat deviate depending on their location in the kurgan.

[6] So-called "moustached kurgans" with stone curves, most typical for Early Nomads of Kazakhstan, are also known in Tuva.

[7] Aldy-Bel art depicts images of animals in tiptoe position and compositions of entwined figures in a form of "mysterious picture".

Aldy-Bel art complex is numerous and varied, most typical for the early Scythian time, reflecting very stable cultural tradition.

In terms of physical anthropology, the population of the Aldy-Bel culture, which lived in the mountainous regions of the Altai and Sayan Mountains (central Tuva) was closely related to the early Scythians of the Northern Altai region.

[19] In addition to kinship with the neighboring Mayemir and Tasmolin cultures, many Aldy-Bel structural and artistic similarities extend further to the west, to the Tagisken and Uygarak complexes of Central-Asia.

Savinov, the broad region from central Kazakhstan to the Yenisei was affected by migrations not detected in archaeological evidence, mainly from west to east.