In 1956, he began traveling to Paris, where he settled in 1959 and attended the Académie de la Grande Chaumière, making contact with Pablo Picasso and Salvador Dalí.

[5] In 1993, after a period of being away from the art scene, he returns to exhibit on the occasion of the centenary of the birth of Joan Miró at the Palacio de Congresos y Exposiciones in Madrid.

[6] Among the artists of his generation who shared reciprocal or mutual influences, Félix Cuadrado Lomas and Fernando Santiago "Jacobo" can be mentioned.

[7] In the treatment of landscapes and still lifes, he displays a naive approach, but at the same time, he exudes a satirical critique reminiscent of the abstract expressionism seen in the works of artists like Willem De Kooning, particularly in many of his portraits and figures.

[8] His abstract work stems from that Fauvism and is inspired by the colored light of church stained glass windows, as well as their ability to create an atmosphere that envelops the viewer, dazzling them initially and then inviting them to contemplation and reflection.