[1] The young Alessandro spent his first two years in cascina Costa in Galbiate and he was wet-nursed by Caterina Panzeri, as attested by a memorial tablet affixed in the place.
Upon the death of his father in 1807, he joined the freethinking household of his mother at Auteuil, and spent two years mixing with the literary set of the so-called "ideologues", philosophers of the 18th-century school, among whom he made many friends, notably Claude Charles Fauriel.
In 1806–1807, while at Auteuil, he first appeared before the public as a poet, with two works, one entitled Urania, in the classical style, of which he became later the most conspicuous adversary, the other an elegy in blank verse, on the death of Count Carlo Imbonati, from whom, through his mother, he inherited considerable property, including the villa of Brusuglio, thenceforth his principal residence.
[11] Manzoni's marriage proved a happy one, and he led for many years a retired domestic life, divided between literature and the picturesque husbandry of Lombardy.
In 1819, Manzoni published his first tragedy, Il Conte di Carmagnola, which, boldly violating all classical conventions, excited a lively controversy.
It was severely criticized in a Quarterly Review article to which Goethe replied in its defence, "one genius," as Count de Gubernatis remarks, "having divined the other."
[12] The political events of that year, and the imprisonment of many of his friends, weighed much on Manzoni's mind, and the historical studies in which he sought distraction during his subsequent retirement at Brusuglio suggested his great work.
[14] Round the episode of the Innominato, historically identified with Bernardino Visconti, the first manuscript of the novel The Betrothed (in Italian I promessi sposi) began to grow into shape, and was completed in September 1823.
The Penguin Companion to European Literature notes that 'the book's real greatness lies in its delineation of character...in the heroine, Lucia, in Padre Cristoforo, the Capuchin friar, and the saintly cardinal (Borromeo) of Milan, he has created three living examples of that pure and wholehearted Christianity which is his ideal.
In 1822, Manzoni published his second tragedy, Adelchi, turning on the overthrow by Charlemagne of the Lombard domination in Italy, and containing many veiled allusions to the existing Austrian rule.
But he laboriously revised The Betrothed in Tuscan-Italian, and in 1840 republished it in that form, with a historical essay, Storia della colonna infame, on details of the 17th-century plague in Milan so important in the novel.
He was already weakened as he had fallen on 6 January while exiting the San Fedele church, hitting his head on the steps, and he died after 5 months of cerebral meningitis, a complication of the trauma.
His novel Osservazioni sulla morale cattolica was quoted by Pope Pius XI in his encyclical on Christian Education Divini Illius Magistri: "20.