Alexander Barclay

[3] In 1520 "Maistre Barkleye, the Blacke Monke and Poete" was desired to devise "histoires and convenient raisons to florisshe the buildings and banquet house withal" at the meeting between Henry VIII and Francis I at the Field of the Cloth of Gold.

It is presumed that he conformed with the change of religion, for he retained under Edward VI the livings of Great Baddow, Essex, and of Wokey, Somerset, which he had received in 1546, and was presented in 1552 by the dean and chapter of Canterbury to the rectory of All Hallows, Lombard Street, London.

In itself a product of the medieval conception of the fool who figured so largely in the Shrovetide and other pageants, it differs entirely from the general allegorical satires of the preceding centuries.

The figures are no longer abstractions; they are concrete examples of the folly of the bibliophile who collects books but learns nothing from them, of the evil judge who takes bribes to favour the guilty, of the old fool whom time merely strengthens in his folly, of those who are eager to follow the fashions, of the priests who spend their time in church telling "gestes" of Robin Hood and so forth.

The sources of the Eclogues include works by Aeneas Silvius Piccolomini, Baptista Mantuanus, and Jean Lemaire de Belges.