In a 2013 interview with Ocula Magazine, Glass-Kantor said that a goal during her tenure at Artspace was to engage in collaborative projects alongside fellow institutions in the Asia-Pacific region.
[1] Since 2015, Glass-Kantor has been the curator for Art Basel Hong Kong’s Encounters section, the sector dedicated to large-scale installations.
[9][10][11] International exhibitions Glass-Kantor has curated during her time as Artspace Executive Director include Nicholas Mangan: Ancient Lights, Chisenhale Gallery, London, UK (2015),[12][13] Angelica Mesiti: Relay League at Art Sonje, Seoul, South Korea (2019),[14] Taloi Havini: Reclamation at Dhaka Art Summit, Bangladesh (2020),[15] 경로를 재탐색합니다 UN/LEARNING AUSTRALIA at Seoul Museum of Art, South Korea (2021),[16] and Jonathan Jones: untitled (transcriptions of country) at Palais de Tokyo, Paris, France (2021).
[21][22][23][24] The Washington Post selected the Australian Pavilion as one of the best three at the 2022 Biennale,[25] although Glass-Kantor explained that she and Fusinato were "much more interested in proposition, in open-ended speculation, in confrontation and giving people the space and agency to decide for themselves, if they do or don't like something, what that means for them.
"[26] Similarly, Ocula Magazine wrote "People either love or hate this pavilion ... At least they felt something so strongly as to articulate a thought.