Alfred Bester (December 18, 1913 – September 30, 1987) was an American science fiction author, TV and radio screenwriter, magazine editor and scriptwriter for comics.
"[2] Shortly before his death, the Science Fiction Writers of America (SFWA) named Bester its ninth Grand Master, presented posthumously in 1988.
Alfred's mother, Belle (née Silverman), was born in Russia and spoke Yiddish as her first language before coming to America as a youth.
Though his mother was born Jewish, she became a Christian Scientist, and Alfred himself was not raised within any religious traditions; he wrote that "his home life was completely liberal and iconoclastic.
[9] She changed careers in the 1960s, becoming a vice president, casting director and supervisor at the advertising agency Ted Bates & Co. in New York City.
Bester recalled, "Two editors on the staff, Mort Weisinger and Jack Schiff, took an interest in me, I suspect mostly because I'd just finished reading and annotating Joyce's Ulysses and would preach it enthusiastically without provocation, to their great amusement.
"[13] However, as Bester was the winner of the contest, Mort Weisinger also "introduced me to the informal luncheon gatherings of the working science fiction authors of the late thirties."
Consequently, Bester left the field of short story writing and began working for DC Comics as a writer, including, and, under the editorship of Julius Schwartz,[15] Green Lantern, among other titles.
He created super-villain Solomon Grundy and the version of the Green Lantern Oath that begins "In brightest day, In blackest night".
[16] Bester was also the writer for Lee Falk's comic strips The Phantom and Mandrake the Magician while their creator served in World War II.
"Oddy and Id"), he stopped writing for the magazine in mid-1950 when editor John Campbell became preoccupied with L. Ron Hubbard and Dianetics, the forerunner to Scientology.
However, Bester gained his greatest renown for the work he wrote and published in the 1950s, including The Demolished Man and The Stars My Destination (also known as Tiger!
The Demolished Man, recipient of the first Hugo Award for best Science Fiction novel, is a police procedural that takes place in a future world in which telepathy is relatively common.
Bester creates a harshly capitalistic, hierarchical and competitive social world that exists without deceit: a society in which the right person with some skill (or money) and curiosity can access your memories, secrets, fears and past misdeeds more swiftly than even you.
(also known as The Rat Race) concerns a TV variety show writer who wakes up after an alcoholic blackout and discovers that someone is out to destroy his life.
The Holiday editors, impressed with his work, invited Bester back to their headquarters in New York and began commissioning him to write travel articles about various far-flung locales, as well as doing interviews with such stars as Sophia Loren, Anthony Quinn, and Sir Edmund Hillary.
As a result of steady work with Holiday, Bester's science fiction output dropped precipitously in the years following the publication of The Stars My Destination.
Bester published three short stories each in 1958 and 1959, including 1958's "The Men Who Murdered Mohammed" and 1959's "The Pi Man", both of which were nominated for Hugo Awards.
Instead, he concentrated on his work at Holiday (where he was made a senior editor), reviewed books for The Magazine of Fantasy and Science Fiction (from 1960 to 1962) and returned to television scripting.
Telecast in color on October 18, 1959, the hour-long drama took place in the year 2359 amid futuristic sets designed by Ted Cooper.
This NBC Sunday Showcase production, produced by Robert Alan Aurthur with a cast of Kevin McCarthy, Rip Torn, Suzanne Pleshette and Telly Savalas, was reviewed by syndicated radio-television critic John Crosby: Despite the fact that the androids refer contemptuously to human beings as people who suffer from glandular disorders called emotions, Torn wants very much to suffer from these disorders himself.
[22][23][24] A light comedy, the story concerned the modern day Lucifer—whose offices are now on Madison Avenue—working with his beautiful secretary to try to corrupt a clean-cut American husband and wife.
He arrived attired in well-worn high-top sneakers, jeans whose major characteristic was that they looked comfortable, and a sports coat whose better days had been years before.
Then, apparently able to stay put no longer, he leapt up, walked around to the front of the table to be closer to the audience, and paced back and forth, gesturing and talking.
However, shortly before his death he learned that the Science Fiction Writers of America would honor him with their Grand Master Nebula award[29] at their 1988 convention.