Alice Zeppilli (28 August 1885 – 14 September 1969) was a French operatic soprano of Italian heritage who had an active international singing career from 1901 to 1930.
Alice's father Nicola Zeppilli was an orchestra conductor at the Théâtre du Casino in Monte Carlo.
[citation needed] Zepilli made her professional opera debut in Milan at the Teatro Lirico on 25 November 1901 at the age of 16 as Stella in the world premiere of Giacomo Orefice's Chopin.
In 1904 she appeared at the Opéra de Monte-Carlo as Gilda in Giuseppe Verdi's Rigoletto opposite Enrico Caruso as the Duke of Mantua and Roger Bourdin in the title role.
Other roles she sang with the Manhattan and Philadelphia opera companies included Irma in Louise, Marguerite de Valois in Les Huguenots, both Mimi and Musetta in La boheme, and Siébel in Faust.
[2] Some of the other roles she sang with the company included both Antonia and Olympia in The Tales of Hoffmann, Cio-Cio-San in Madama Butterfly, Gilda, Marguerite de Valois, Marguerite in Faust, Micaëla, Musetta, Nedda in Ruggero Leoncavallo's Pagliacci, Ophélie in Ambroise Thomas' Hamlet, Santuzza in Cavalleria rusticana, Susanna in Wolfgang Amadeus Mozart's The Marriage of Figaro, Violetta, Zerlina in Don Giovanni, and the title roles in Ermanno Wolf-Ferrari's Il segreto di Susanna, Victor Herbert's Natoma, and Puccini's Tosca among others.
[2] In 1909-1910, Zeppilli also performed at the Opéra-Comique in Paris where she made her debut as the title heroine in Léo Delibes' Lakmé, and was also heard as Massenet's Manon.
In 1914 she again appeared at the Royal Opera House in London as Nannetta, Susanna, Musetta, and Oscar in Verdi's Un ballo in maschera.