[4] Writing for The Austin Chronicle, Rashied Gabriel thought that the album's production and Aceylone's "various styles" worked to complementary effect.

[6] He went on to label All Balls Don't Bounce "a sureshot record", and felt that it delivered "verbal calisthenics that astound with fresh insight as well as lyrical wizardry.

"[6] Robert Christgau gave it a "neither" rating, indicating that an album "may impress once or twice with consistent craft or an arresting track or two.

"[11] In a retrospective review, Steve Huey of AllMusic described Aceyalone as "one of the greatest lyricists the West Coast has ever produced, twisting his fluid rhymes around and off the beat with the improvisational assurance of Rakim.

"[5] He also commented that "[the production] is solid if unspectacular, usually spare and jazzy, with lots of piano/keyboard samples and some fitting nods to the abstract side of hard bop.