Featuring themes of feminism, gender, and queerness, All Love's Legal differs from Planningtorock's previous record W (2011) due to its less subtle lyrics and pop-orientated disco style.

As the tour for Jam Rostron's album W (2011) neared its end in the summer of 2012, they noticed that there were "certain things that I didn't achieve" with it, as well as themes about social issues and their personal life that oddly were not incorporated into the lyrics they wrote.

[3] For promoting and releasing All Love's Legal, Rostron formed the label Human Level, which was meant to make queer and female produces more prominent in the music industry.

[14][15] Journalists positively reviewed the track upon its release, a Pretty Much Amazing writer concluding that "the song's last 90 seconds are particularly stirring with [Rostron] injecting some genuine pain and emotion into [their] mantra".

[16] Pitchfork writer Laura Snapes called it "a deeply persuasive, beautiful single"[17] and Michael Cragg of The Guardian "a brilliantly odd five and a half minutes".

[14] "Misogyny Drop Dead" was released for streaming on 30 January 2013,[18] with a remix by Canadian producer Pursuit Grooves premiering on Fact magazine's website on 26 February 2013.

[28] On 29 October 2013, a second Planningtorock album named All Love's Legal was announced to be released by Human Level in February 2014, and the song "Welcome" as well as Rostron's self-directed video for the track was made public online.

[32] The music video, which Rostron also directed and premiered on Dazed's website on 6 December 2013, depicts them and rRoxymore with bowl cuts as "flaming Rorschach-like effects" and changing colours are used on the footage, according to the magazine's summary, to symbolise gender fluidity.

[34] A title track remixes EP was issued by Human Level on 21 February 2014 and includes re workings by TR/ST and Berlin group Kool Thing alongside Mokadem's re-cut.

[1][43][39] Parkhill summarised, "in putting [their] message forward so directly and artlessly, Rostron has robbed [themself] of the chance to perform and embody a form of queer club music, opting instead to merely state it".