Designed by the Swedish artist Axel Haig, who lived in the village and is buried in the graveyard, the church is a Grade II listed building.

In addition to funding the construction of the church, Harman paid for a vicarage and provided an endowment for the provision of a stipend to the incumbent vicar.

He established himself as an artist, and became highly sought-after as an architectural illustrator by many of the leading architects of the Victorian era.

[2] Some of the stained glass is by Carl Almquist, like Haig an immigrant from Sweden, while other windows are by Charles Eamer Kempe.

[12] His church has not always been appreciated; the notoriously acerbic critic Ian Nairn, in the Surrey volume of the Pevsner Buildings of England, wrote, "All Saints fits happily enough into the distant view, with its cosy timbered bell-turret facing the green, but is bad close-to.