All the Vermeers in New York is a 1990 American film written and directed by Jon Jost.
The film was created with Jon Jost's love of Vermeer paintings as a central organizing theme.
[2] Vincent Canby wrote in The New York Times the film's purpose was to show art as the last bit of humanism in a world without love.
[3] Marjorie Baumgarten, a writer for Austin Chronicle, called All the Vermeers in New York an experimental film.
It’s a meditation on the inner and outer worlds of two mismatched characters who represent the cultural bankruptcy of America’s upper-middle class.