Amélie Diéterle

Amélie Diéterle inspired the poets Léon Dierx and Stéphane Mallarmé and the painters Auguste Renoir, Henri de Toulouse-Lautrec, and Alfred Philippe Roll.

[5] One of the three works was loaned in 1922 by Gaston Bernheim (1870–1953) to the exhibition A Hundred Years of French Painting (1821–1921) from Ingres to Cubism, organized for the benefit of the Strasbourg Museum (hometown of the actress) at the Parisian headquarters of the Antiquarian Room (reproduced in the article by Léandre Vaillat in L'Illustration n° 4136 of 1er April 1922).

Henri de Toulouse-Lautrec makes it appear in one of his most famous paintings dated 1896: Marcelle Lender dancing bolero in Chilperic.

[1] Compromise in spite of herself in the affair of the traffic of the fake Rodin statues in 1919 and tired by thirty years in the spotlight, she withdraws progressively from the scene between 1920 and 1923.

Amélie Diéterle took refuge in Vallauris after June 1940 and died in Cannes after a long illness on 20 January 1941,[8] at the age of 69 years.

Newspaper Washington Times of Sunday, 6 July 1919. The affair of the fake Rodin statues in the United States.
The actress kneeling on the stage in the play Madame la Présidente (1902). Role : Réséda .
Amélie Diéterle by Léopold-Émile Reutlinger c. 1895.
Amélie Diéterle, a muse of the Belle Époque .
Amélie Diéterle by Léopold-Émile Reutlinger c. 1898.
Amélie Diéterle on the left, in the silent film, The luthier of Cremona , by Albert Capellani in 1909. Role : Giannina .
Amélie Diéterle on the right on the photograph, in The universal legatee , by André Calmettes in 1909.