The film stars Akkineni Nageswara Rao in the title role of Jakanachari, a legendary sculptor from the Hoysala period, whose dedication to art and personal sacrifices form the core of the narrative.

The film also features B. Saroja Devi, V. Nagayya, and Udaya Kumar in key roles, with music composed by S. Rajeswara Rao.

[1] Released on March 27, 1964, Amarasilpi Jakkanna holds the distinction of being the first Telugu film shot in Eastmancolor[2] and received critical acclaim, including a Presidential Certificate of Merit.

Gopadevudu, intent on claiming Manjari, destroys one of Jakkanna’s sculptures, sends him away in search of new stones, and forcibly separates the couple.

The narrative concludes with the emotional reunion of Mallanna, Jakkanna, Manjari, and Dankanna, bringing the family together after years of separation.

While historical accounts credit Queen Saanthalaa Devi as the muse for these sculptures, the film replaces her with the fictional character Manjari.

A poignant scene featuring Mallanna, blind, identifying Jakkanna’s sculpture by touch, emphasizes the emotional connection between the characters.

Amarasilpi Jakkanna pioneered the use of Eastmancolor in Telugu cinema, setting a new benchmark in the regional film industry.