Her literary successes included the ghost story The Phantom Coach (1864), the novels Barbara's History (1864) and Lord Brackenbury (1880), and the travelogue of Egypt A Thousand Miles up the Nile (1877).
Thereafter came a variety of poetry, stories and articles in several periodicals, including Chambers's Journal, Household Words and All the Year Round.
[9] Thirdly, Edwards took up composing and performing music for some years, until she suffered a bout of typhus in 1849 that was followed by a frequently sore throat.
[9] In January 1851, Amelia Edwards became engaged to a Mr Bacon (first name unknown), possibly out of consideration for her ageing parents, who may have been worried for their daughter's future economic security.
The relationship ended when the husband, John Rice Byrne, was assigned a different school district and the couple moved away, which left Edwards deeply distraught.
According to Symonds, John Rice Byrne was aware of the nature of his wife's feelings for Edwards and condoned the relationship.
[9][7][14] That day they left Monte Generoso for Venice, one of the three known ways to enter the Dolomites, but not before parting from Renshaw's maid and courtier, who disapproved of such a journey.
[7] During the expedition, Edwards also sought works of Titian, finding a Madonna and Child in Serravalle (Vittorio Veneto) and two other paintings at a village church in Cadore.
[7] Edwards, again accompanied by Lucy Renshaw, toured Egypt in the winter of 1873–1874, experiencing a fascination with the land and its cultures, ancient and modern.
Journeying southwards from Cairo in a hired dahabiyeh (manned houseboat), the two women visited Philae and ultimately reached Abu Simbel, where they remained for six weeks.
In 1882, she co-founded the Egypt Exploration Fund with Reginald Stuart Poole, Curator of the Department of Coins and Medals at the British Museum.
[citation needed] To advance the Fund's work, Edwards largely abandoned other writing in favour of Egyptology.
[23][24] She was buried in the churchyard of St Mary the Virgin, Henbury, Bristol, where her grave is marked by an obelisk with a stone ankh at the foot.
In September 2016, Historic England designated the grave Grade II listed,[4] as a landmark in English LGBT history.