Amen, more commonly known as The Pederasty ("La pederastia" in Spanish), is a conceptual, critical and process artwork by Abel Azcona.
Over several months, Azcona (who had received a Catholic education from the age of seven following his adoption) attended Eucharists in churches and parishes that were linked to his childhood.
He thus gathered two hundred and forty-two wafers, the number of cases of pederasty reported in the north of Spain during the decade before that.
In the work, Azcona presented more than two hundred actual cases of pedophilia in museums and galleries in various cities in Spain.
[8][9] The second one, by the Delegation of the Government in Navarra, controlled by the Popular Party at the time, and the third one was by The Asociación Española de Abogados Cristianos (Spanish Association of Christian Lawyers), who also made criminal complaints against Azcona.
After five years of judicial proceedings for critical works against the Catholic Church and more specifically, with pedophilia, Azcona declared his " disobedience" in relation to charges, and the complainants included obstruction of justice in their complaints.