[8] Other theatre presentations of his include Memorable Equinox (2007), Hamlet Quartet (2009), and Strange Lines (2010), in which motion tracking, real-time video feed and multimedia were integral elements of the performances.

[14][15] In Songs of Mourning (2013–16), Grover worked with a professional traditional Oppari mourner to stage an unscripted interview about the rituals and processes of expressing grief in India.

[19] The art-works produced in this series was shown in an exhibition tilted ‘Hangar for the Passerby’ curated by Akansha Rastogi and commissioned by the Kiran Nadar Museum of Art.

[20][21][22] His 2018 play Raag Darbari, based on the satirical Hindi novel by Shrilal Shukla illustrating the failing values in post-Independence Indian society, is seen as a return to story-telling and conventional theatre in his career.

The show, directed and performed by Grover himself, used archival and edible elements to focus on the life of the popular Indian playwright and director Habib Tanvir.

The show took place on the web, in which the audience were taken into a 3-D virtual city and provided with options to choose different spaces, called rooms, in which they watched live performances.

In Wounding (2021) — for which he received the MASH FICA award for New Media Artist — Grover transformed a family archive of pictures into a narrative about the 1947 Partition.

"[32][33][34] As a special commission for the third edition of the Chennai Photo Biennale, Grover created a series of imageless photographs drawn entirely from his imagination and memory titled All That We Saw.

Set in an abandoned building, it is a collection of multiple stories performed by actors and real-life professionals that presents a layered critique of capitalism.

Described as "the 3-hour-long magnum opus" by The Outlook and "theatre that defies convention" by The Hindu, the show premiered in Goa at the Serendipity Arts Festival in 2022 and travelled to New Delhi in 2023.