Milfax is arrested and the Committee of the Five is revealed to be four industry leaders, including Tom, who is fanatically obsessed with Benito Mussolini and Adolf Hitler, and intend to turn the United States into a fascist country.
[15] Crew members included cinematographer Emmanuel Lubezki (his first feature film since 2017),[17] editor Jay Cassidy, and score composer Hildur Guðnadóttir.
[23] Although the main trio of characters in Amsterdam are fictional, the film accurately depicts aspects of the 369th Infantry Regiment, which fought in France in World War I and consisted of African Americans serving under mostly white officers.
[15] Amsterdam premiered at Alice Tully Hall in New York City on September 18, 2022, and was released in the United States on October 7, 2022, by 20th Century Studios.
[33] Deadline Hollywood blamed the poor performance on the critical response, 134-minute runtime deterring audiences, and Disney being unsure how to market the film due to its quirky style and convoluted plot.
The website's consensus reads: "Amsterdam has a bunch of big stars and a very busy plot, all of which amounts to painfully less than the sum of its dazzling parts.
[34] In a positive review, Pete Hammond of Deadline Hollywood lauded the "complex" screenplay, "uniquely conceived" characters, cinematography, costume, production, and score.
[38] Giving the film four out of five stars, James Mottram of South China Morning Post described Amsterdam as "a Hal Ashby-style caper full of fireworks with contemporary political overtones".
[39] Scott Mendelson of Forbes described it as an "all-star delight" with "strong production values" and a "terrific ensemble cast delivering some top-shelf work.
[41] Brian Truitt of USA Today, Ryan Swen of Slate, and Oliver Jones of The New York Observer gave the film three out of four stars.
Calling it a thoroughly entertaining, "whimsical whodunit" and "quirky, big-hearted trip", Truitt's praise was focused on the cast, especially the "crowd-pleasing" chemistry between Bale, Robbie and Washington.
[43] Jones wrote that the film is "quite odd and discombobulating, but if you allow its turned up and persistent energy to sweep over you, and soak in the joy and righteous anger that animates its generous spirit, the end result is decidedly moving, and—at some points—even enthralling.
[45] /Film's Jeff Ewing stated that Amsterdam "has a number of charming scenes, a stunningly top-tier cast, and flawless cinematography", but cited "wildly fluctuating tones" and "plot contrivances" as its shortcomings.
Club's Jordan Hoffman found the cast to be "energetic, entertaining, and enjoyable", but called the film "an overly ambitious political potboiler".
[47] David Rooney of The Hollywood Reporter wrote that Amsterdam is "a lot of movies inelegantly squidged into one—a zany screwball comedy, a crime thriller, an earnest salute to pacts of love and friendship, an antifascist history lesson with fictional flourishes."
[48] Paste's Aurora Amidon praised the "vibrant, no-frills cinematography", "whip-tight" editing and the cast's "incredible" performances, despite the "bewildering" story.
"[52] Leah Greenblatt, writing for Entertainment Weekly, rated Amsterdam a C+ and described it as an "odd shaggy-dog mystery" with a "hectic" story, but called the production and costume design "impeccable.
Rating the film two out of five stars, Robbie Collin of The Daily Telegraph found the dialogue unimpressive and wrote that Russell's screenplay "makes heavy weather" of the story.
[55] Barry Hertz of The Globe and Mail wrote, "Amsterdam so badly wants to be a light romp with heavy-duty meaning that it cannot help but be flattened by a sagging self-exhaustion.
"[56] Mark Kennedy of the Associated Press stated that the film "reaches for something contemporary to say about race relations, concentration of wealth, veterans and fascism but ends up with a plodding, mannerist noise.
"[57] Giving the film an F rating, Chase Hutchinson of Collider criticized its "egregious" editing, "banal" dialogue, "muddled" tone, and overall "lack of vision.